The Druggist's General Receipt Book (1857) has some general observations on the different materials used in rouge and white paints. For the latter, it mentions the vinegar-treated talc I've already experimented with, as well as the widely-condemned white lead and liable-to-turn-grey-while-worn bismuth "pearl powder". An intriguing note I've not seen elsewhere is that French chalk can be used in place of talc, with or without the addition of zinc oxide*. Starch and magnesia (MgO) are also named as "face whites", the later primarily in America.
The wood mortar is good for breaking up clumps. |
Barely visible to the eye, and not visible in the photograph. |
I tried both the chalk and zinc-chalk powders on my skin, but observed no differences between the two. There really was no change in color, and even looking closely I saw only the slightest hint of white. Compared to the talc white, neither of these chalk whites are very noticable.
*Which is used in modern sunscreens. Though the Victorian distaste for wearing paint during the day (/at all) probably means this was not used an early attempt at sun protection. The toxicity data I could find suggests that ZnO is safe for topical use, but this powdered form might present an inhalation risk. Since this is an experiment (and I won't be using it regularly), I decided to make part of the batch with the ZnO to see how it behaved.
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